The Irish Times view on summer festivals: long may they thrive

The events offer an impressive array of choices and are a reminder of what is done very well in this country

The audience at  a Listowel Writers' Week event on Thursday. (Photo: Lina Jevdet/PA Wire)
The audience at a Listowel Writers' Week event on Thursday. (Photo: Lina Jevdet/PA Wire)

There was some doubt in June 1971 about the purpose of the inaugural Listowel Writers’ Week, which was organised by what was described in this newspaper as a “committee of 30 extremely energetic locals”. It was difficult, it was suggested then, “to put one’s finger on the precise motivation behind the week.” This weekend, it is still going strong, at the age of 55. Later this summer, the Galway Arts festival marks its 49th birthday, the 67th Yeats International Summer School takes place, and Fleadh Cheoil na hÉireann, dating back to 1951 and billed as “the world’s biggest celebration of Irish music, song, language and dance”, will be held in Belfast for the first time.

Long established arts and music festivals now exist as part of the Irish summer in the company of much newer ones. Food and gardening are also celebrated with gusto, as witnessed at this weekend’s Bloom festival in the Phoenix Park, while Pride month events are also kicking off, and a new initiative, Dublin by Dusk, will involve museums and galleries opening their doors for longer than usual on the last Thursday of each month.

There are considerable administrative and financial challenges associated with Irish summer festivals, as well as grants and other supports, alongside commendable volunteerism. Collectively, they offer an impressive array of choices, can break down barriers and are often a reminder of what is done very well in this country. Avril Stanley, founder and creative director of the arts and music festival Body & Soul, which ran from 2004 to 2025, has spoken of the significance of “taking art out of its known environment and encouraging people to shape shift themselves a little.”

Festivals provide a focus for local communities to come together and amount to a skilled promotion of many aspects of a rich heritage. They are also a reminder that not all cultural roads lead to Dublin. They offer opportunities for artists to get sufficient scope to realise their ambitions, and for people to meaningfully interact, which seems even more important in an era drenched in digital media and screens. Long may they thrive.