Kit Harington pulls off a surprisingly convincing Dublin accent

TV: Modern Love’s second season features two stories with a cast of familiar Irish faces

High Theatre: the critic’s choice of works

Michael West’s Frankenstein adaption and a Wexford man without promise of a future

President pays tribute to ‘courageous being’ Tom Murphy

Over 600, including big cross-section from theatre and arts , attend humanist service

TG4 launches autumn schedule ahead of 20th birthday

New programmes include a comedy-drama described as ‘Spinal Tap with a bodhrán’

Brothers disarmed – An Irishman’s Diary on the memories unleashed by ‘Sing Street’

Inside the GPO review: At the centre stage of the action

Fishamble’s diligent, vigorous production pursues a simple question – what makes people do what they do – towards a complicated answer

Ferdia Walsh-Peelo: Sing Street, Sundance... now back to school

He wowed Sundance and impressed at Audi Dublin International Film Festival – the teenage musician and actor is perfectly cast as director John Carney’s movie alter-ego

Review: Heartbreak House

Written fitfully during the first World War and finally presented to an utterly changed world, Shaw’s experimental play remains tangled and complex. Can the Abbey make sense of it?

Review: After Sarah Miles

Baptised on the set of ‘Ryan’s Daughter’, the hero of Michael Hilliard Mulcahy’s monologue is caught in a net of his own celluloid dreams

Review: Faith

Is this depiction of one man’s crisis in faith something we can believe in?

Mayday mayday, a five-part drama that's a crime against thrillers

The quietly gripping Broadchurch and subtitles that speak volumes