All That’s Left to Tell, by Daniel Lowe

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Daniel Lowe: the American’s debut novel has enjoyable stretches but suffers from some flat dialogue and indistinct characterisation
Daniel Lowe: the American’s debut novel has enjoyable stretches but suffers from some flat dialogue and indistinct characterisation
All That’s Left to Tell
All That’s Left to Tell
Author: Daniel Lowe
ISBN-13: 978-1509810550
Publisher: Picador
Guideline Price: £12.99

A middle-aged American, Marc Laurent, has been taken hostage in Pakistan, although for what reason we are never certain.

Under guard in a small room, he is regularly bound and blindfolded for visits by Josephine, one of his captors, who, more therapist than terrorist, takes a greater interest in Marc’s relationship with his recently deceased (or is she?) daughter, Claire, than in extracting a ransom for his release.

As they settle into a cosyish (but implausible) routine of nightly storytelling, Josephine invents fictional futures for Claire and Marc, while Marc interjects with memories and revelations about their past.

Josephine’s concoctions include a road trip between Claire and an imagined hitch-hiker, Genevieve, who (spookily like Josephine) offers Claire speculative tales about Marc’s fate. But how does this stranger know so much about Claire’s family? And ditto Josephine? Which stories are true? And what is their purpose?

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This debut novel from the American writer Daniel Lowe has enjoyable stretches, but some flat dialogue and indistinct characterisation mean the questions it raises about the human need to tell stories only occasionally compel.