Blue Heron review: Precise, poignant portrayal of how families mythologise pain away
By Tara Brady
Jackass: Best and Last – Johnny Knoxville’s ageing team go for prostate exams and colonoscopies
In the Hand of Dante review: A frustratingly wobbly blend of biography, fiction and mythology
By Tara Brady
Nino review: Théodore Pellerin exudes leading-man charisma in a gutsy, life-affirming movie
Lesbian Space Princess review: This scrappy, funny animation is a small miracle of invention
By Tara Brady
Toy Story 5 review: Pixar’s founding franchise is getting squeaky around its middle-aged joints
Time and Water review: An arresting documentary about Iceland’s disappearing glaciers
By Tara Brady
The Fall of Sir Douglas Weatherford review: Peter Mullan tremendous in ambitious if uneven satire
By Tara Brady
Disclosure Day review: Eve Hewson asks the practical questions in Spielberg’s sprawling sci-fi yarn
Afternoons of Solitude review: The bull seems to sense it’s about to die in the ring
By Tara Brady
Erupcja review: Charli XCX has real screen clout in this appealing romantic drama
By Tara Brady
Savage House review: Richard E Grant, Claire Foy and much boozing, humping and double dealing
Masters of the Universe review: All solid good fun. All professionally honed. A minor miracle
Tuner review: At 88, Dustin Hoffman still has it opposite Leo Woodall in old-school thriller
Fairyland review: A fond, wise chronicle of parenthood through turbulent decades
By Tara Brady
Backrooms review: Kane Parsons’s exquisite direction brings web’s scariest creepypasta to the big screen
By Tara Brady
Cannes First Look review: Lola Petticrew shines in I See Buildings Fall Like Lightning’s Irish line-up
By Tara Brady
Cannes First Look review: Minotaur – grim chronicle of a selfish, privileged class willing to look the other way
By Tara Brady
Cannes First Look review: Fjord - Nail-biting drama exploring European culture and tolerance
By Tara Brady
Cannes First Look review: Paper Tiger – Gangsters and fixers in grimy 1980s New York
By Tara Brady
Cannes First Look review: Bitter Christmas - You’ll wonder if Almodóvar is phoning it in
By Tara Brady
Tom & Jerry: Forbidden Compass review – Cartoon duo become supporting players in their own film
By Tara Brady
Cannes First Look review: Tin Castle paints a touching, confounding portrait of an Irish Traveller family
Cannes First Look review: Jim Queen – This gay-influencer animated comedy is gleefully smutty
By Tara Brady
Cannes First Look review: Hope – Na Hong-jin’s sci-fi horror has an astonishing opening hour
By Tara Brady
Cannes First Look review: The Unknown – Léa Seydoux stars in Arthur Harari’s body-swap horror
By Tara Brady
The Mysterious Gaze of the Flamingo review: Sexual desire becomes contagion and curse in haunting debut
By Tara Brady
First Look review: Barry Keoghan gives a tense, psychologically uneasy performance in Butterfly Jam
Once We Were Punks review: If you’re over a certain age, this is a moving Irish music documentary
Cannes First Look review: The Electric Kiss – Pierre Salvadori’s lovely film has fun untying a romantic knot
The Christophers review: Steven Soderbergh’s film scrapes by thanks to a compelling cast
By Tara Brady
The Sheep Detectives review: The farmyard hasn’t been this disarming since Babe
By Tara Brady
Billie Eilish (Live in 3D) review: Stunning views show raw power of an incredible artist
By Tara Brady
Iron Maiden: Burning Ambition review – Tight pants, greasy leather and a very excited Javier Bardem
Reflection in a Dead Diamond review: Who needs a new Bond film when there’s this to be dazzled by?
By Tara Brady
The Devil Wears Prada 2 review: Lovely clothes. Savage quips. And a cameo by a celebrated Irish golfer
Hokum review: Adam Scott excels in this Irish ghost story with a sly sense of fun
By Tara Brady
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