Stage Reviews
Peter Pan review: Gaiety panto takes off with dizzying ensemble numbers and breathtaking effects
Theatre: The annual extravaganza, written, choreographed and directed by Daryn Crosbie, features terrific performances from the Billie Barry Kids
The Dead review: James Joyce’s tragicomedy wraps around the audience in a hugely engaging, immensely accomplished evening
Theatre: Marty Rea and Maeve Fitzgerald star as Gabriel and Gretta Conroy in Louise Lowe’s promenade staging of the beloved Dubliners story
Rapunzel at the Helix, Dublin, review: strong storytelling and effortless inclusivity
Theatre: There are no special effects, no grand coup-du-theatre, but there are oodles of old-fashioned charm
Suspect Device: The poignant story of Irish trans bus driver Wilma Creith
Theatre: Staged in a vintage Ulsterbus, Raphaël Amahl Khouri’s high-concept play chronicles Creith’s difficult transition as she found her true self
Everything Falls review: Family care presented as a wearying, compassionate dance
Theatre: Shaun Dunne and Brokentalkers’ collaboration portrays the challenges of looking after a partner with a long-term illness
Sugar review: Amiable amble through a factory worker’s life could do with more theatrical spice
Michael Patric’s play misses the opportunity to pull the drama of the end of Ireland’s sugar industry into the story of its craic-loving factory worker
The Borrowers review: Gate’s Irish-set adaptation is solid good fun for the whole family
Mary Norton’s story will entertain children while adults can convince themselves of its literary status
Mother Courage and Her Children review: A darkly comic road trip through a Europe at war
Theatre: Sandra O Malley delivers a career-defining performance in Blue Raincoat’s meticulous production of Bertolt Brecht’s 1941 play
The Cure and After Luke: Cónal Creedon double bill shows this writer’s gift for bringing light into dark places
Theatre: Al Dalton directs Ciaran Bermingham in The Cure. Leon Danza directs Niall Holland, Simon McKeon and Mike O’Dowd in After Luke
Le Convenienze ed Inconvenienze Teatrali at Wexford Festival Opera 2024: A feast of feuds, rivalries and enmities
Paolo Bordogna nails the role of Mamma Agata, the manipulative helicopter mother in Donizetti’s drama of backstage power struggles
The Tragedy of Richard III: Editing Shakespeare’s crude portrait of the disabled royal
Belfast International Arts Festival 2024: Oisín Kearney and Michael Patrick’s inventive staging exposes some of the play’s bile
The Critic at Wexford Festival Opera 2024: Outstanding Charles Villiers Stanford revival doesn’t miss a trick
Conor Hanratty’s production treats the composer with all the loving care that he himself had first bestowed on Richard Brinsley Sheridan’s play
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