Stage Reviews
It’s Always Your Bleedin’ Own: A swooning comedy for Dublin after the riots
Theatre: Ericka Roe is note perfect in Thommas Kane Byrne’s fabulous version of Dublin’s inner city
Rigoletto at the Bord Gáis Energy Theatre: Excellent singing undermined by musical lapses and directorial miscalculations
Irish National Opera’s production of Verdi, featuring Michael Chioldi, Soraya Mafi and Bekhzod Davronov, is hampered on opening night
Emma review: Agreeably quirky take on Austen shakes the story’s structure a little too vigorously
Theatre: Toni O’Rourke plays Emma with gusto, and Hannah Mamalis is hilarious as Harriet. Despite some narrative overreaching, you’ll probably leave happy
Peter Pan review: Gaiety panto takes off with dizzying ensemble numbers and breathtaking effects
Theatre: The annual extravaganza, written, choreographed and directed by Daryn Crosbie, features terrific performances from the Billie Barry Kids
The Dead review: James Joyce’s tragicomedy wraps around the audience in a hugely engaging, immensely accomplished evening
Theatre: Marty Rea and Maeve Fitzgerald star as Gabriel and Gretta Conroy in Louise Lowe’s promenade staging of the beloved Dubliners story
Rapunzel at the Helix, Dublin, review: strong storytelling and effortless inclusivity
Theatre: There are no special effects, no grand coup-du-theatre, but there are oodles of old-fashioned charm
Suspect Device: The poignant story of Irish trans bus driver Wilma Creith
Theatre: Staged in a vintage Ulsterbus, Raphaël Amahl Khouri’s high-concept play chronicles Creith’s difficult transition as she found her true self
Everything Falls review: Family care presented as a wearying, compassionate dance
Theatre: Shaun Dunne and Brokentalkers’ collaboration portrays the challenges of looking after a partner with a long-term illness
Sugar review: Amiable amble through a factory worker’s life could do with more theatrical spice
Michael Patric’s play misses the opportunity to pull the drama of the end of Ireland’s sugar industry into the story of its craic-loving factory worker
The Borrowers review: Gate’s Irish-set adaptation is solid good fun for the whole family
Mary Norton’s story will entertain children while adults can convince themselves of its literary status
Mother Courage and Her Children review: A darkly comic road trip through a Europe at war
Theatre: Sandra O Malley delivers a career-defining performance in Blue Raincoat’s meticulous production of Bertolt Brecht’s 1941 play
The Cure and After Luke: Cónal Creedon double bill shows this writer’s gift for bringing light into dark places
Theatre: Al Dalton directs Ciaran Bermingham in The Cure. Leon Danza directs Niall Holland, Simon McKeon and Mike O’Dowd in After Luke
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