The Bartered Bride review: INO’s cleverly compact opera is anchored in an infectious humour
Irish National Opera’s touring production updates the action in Smetana’s opera to Big Tom’s Ireland of the 1970s
The Dead review: Joyce’s perfect story finds wonderfully playful expression in this Christmas gem
Theatre: Louise Lowe’s returning production honours Joyce without embalming him, letting his world breathe again
A Christmas Carol review: Gate’s imaginative, deeply spooky take works new magic on Dickens classic
Is this Christmas Carol suitable for smaller children? The tiny me would have savoured the horror as much as the joyful denouement
Cinderella review: Ballet Ireland’s entertainingly reimagined fairy tale features charming, genteel dancing
Loughlan Prior moves the tale to the 1950s, when the heroine leaves her family in Ireland to emigrate to New York
The Nutcracker at Bord Gáis Energy Theatre review: A journey more whimsical and fantastical than most
State Ballet of Georgia’s colourful production remains tethered to the original narrative
Amelia review: This play about the famous aviator is in love with flying
Susanne Colleary’s play features the most romantic depiction of expedition in any of Blue Raincoat’s plays about explorers
The Mirror Stage review: Unflinchingly real experiences of losing contact with reality
Theatre: Brokentalkers developed their illuminating work about psychosis with the Royal College of Surgeons in Ireland
Swan Lake review: Cork City Ballet’s triumphant production brings an exciting sense of newness
Katerina Petrova, Tsetso Ivanov, Francesc Saura and Shin Kurokawa shine under Alan Foley’s crisp direction
The Dolldrums review: Slick noir about a trans actor trapped inside a performance
Theatre: Liath Hannon is remarkable as a trans girl who masks her desperation for acceptance and experience with dark humour
Madama Butterfly review: Star soprano Celine Byrne is perfectly suited to this Cio-Cio-San
In Irish National Opera’s Puccini staging, Celine Byrne’s character is assured and forward-thinking rather than naive and vulnerable
Denouement review: A wedding anniversary that’s the end of the world
Belfast International Arts Festival: Patrick O’Kane and Anna Healy star in John Morton’s dark comedy for the Lyric Theatre
Dancehall review: Luail’s dancers let loose as the music pulses through them
In Emma Martin’s restaging of her choreography, the dancers become one with Andrew Hamilton’s music
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