Theatre: Dan Monaghan and Hannah Brady play siblings with a traumatic past in Hannah Moscovitch’s play

In this revival of Tennessee Williams’s story, Mescal’s half-despised, half-beloved brute has but one decent emotion

Irish Modern Dance Theatre’s new work, by John Scott and Mel Mercier, is performed alongside Four Solos by Merce Cunningham

Theatre: Mike Bartlett’s play, like its title, is as mischievous as it is creatively ambiguous

Irish-American comedian’s latest set lacks a strong theme, providing more of a status update on his life

As Shakespeare’s king, Conleth Hill is at his best when the storm is up and the brain befuddled. But this staging is short on big ideas

Bashar Murkus and Khashabi use the tools of contemporary theatre to portray despair in new ways

Theatre: Rex Ryan and Lauren Farrell star in Glass Mask’s world premiere of Simon Stephens’s new play

Prime Cut’s production of Dominic Montague’s play doesn’t always work, but it’s definitely not dull

Armando Iannucci and Seán Foley’s production of Stanley Kubrick’s political satire leans into broad physical comedy

Opera: INO’s staging maintains the light-heartedness the Strauss needs for the two hours its enjoyably ridiculous plot takes to unfold

Jez Butterworth seems intent on showing all his research with a list of Irish counties and reference to banshees