The Alto Knights review: Robert De Niro’s gimmicky mobster double act is an unnecessary distraction
By Tara Brady
Sister Midnight review: An endlessly inventive marriage of perfectly pitched comedy and deranged ambience
The Electric State: Netflix gives the Russos $320m and this is all they have to show for it?
By Tara Brady
Black Bag review: Soderbergh’s spy flick starring Blanchett and Fassbender beats streaming rivals hands down
Opus: John Malkovich’s bopping saves this inventive but frustrating horror film
By Tara Brady
Plankton: The Movie review – Who knew marital discord could be so much fun for all ages?
By Tara Brady
Mickey 17 review: Bong Joon Ho’s fitful sci-fi satire is a rickety follow-up to the Oscar-winning Parasite
Ernest Cole: Lost and Found – Moving portrait of an exiled apartheid photographer
By Tara Brady
On Falling review: This superb debut about a lonely warehouse picker is an astonishing fable of hidden miseries
Fight or Flight review: Snapped arms, splattered brains, a surprise chainsaw – this is good, honest pulp
Vermiglio review: Captivating chronicle of the hardships and eccentricities of an ever-expanding family
By Tara Brady
September Says review: A Greek weird wave star has set her new film in some kind of AI-generated Ireland. Why?
By Tara Brady
Schmeichel review: Eric Cantona, Alex Ferguson and Gary Neville line out. But where’s Roy Keane?
By Tara Brady
Captain America: Brave New World review – Not even Harrison Ford’s last-ditch Red Hulk can rescue this cheap, garish mess
By Brandon Yu
Memoir of a Snail review: A lovely, heartfelt creation from an Oscar-winning animator
By Tara Brady
To a Land Unknown review: This uncomfortable film about Palestinian refugees adrift in Athens sweeps you along in its momentum
Bridget Jones: Mad About the Boy review – Lifestyle porn? Check. Cackling friends? Check. Easily the best film in the series? Check
We Are Fugazi from Washington, DC review: Fan-sourced film captures legendary US punks in all their glory
By Tara Brady
The Fire Inside review: The Olympic champion Claressa ‘T-Rex’ Shields deserves an Oscar-worthy biopic. This isn’t quite that
By Tara Brady
September 5 review: Tightly assembled thriller revisits the Munich Olympics hostage crisis
By Tara Brady
Bring Them Down review: Barry Keoghan’s new film should be called Bring Me the Head of Alfred O’Garcia
Companion review: Sophie Thatcher is the scream queen to beat in this post-AI spin on The Stepford Wives
By Tara Brady
Hard Truths review: Mike Leigh makes a moving return to the domestic miseries of north London
The Colors Within review: The story of a socially awkward Catholic student and her friends
By Tara Brady
Presence review: Steven Soderbergh’s ghost story is flashy film-making but short on thrills
By Tara Brady
Posso Entrare? An Ode to Naples review: Trudie Styler’s documentary offers brutal truths and blissful sunlit escape
The Brutalist review: Adrien Brody’s Jewish refugee mud-wrestles American capitalism in this astonishing film
A Complete Unknown review: As Bob Dylan, Timothée Chalamet works his wee nasal cavity to death
Emmanuelle review: The fancy couch is more erotic than the onscreen couplings in this pointless reboot
By Tara Brady
Wolf Man review: Shocker finds new ways of turning the stomach as it honours the great werewolf tradition
The Girl with the Needle review: Splendid but sombre serial-killer-inspired fairy tale for grown-ups
By Tara Brady
The Damned review: Chilly horror powered along by suspicion, atmospherics and an unforgettable landscape
By Tara Brady
Maria review: Angelina Jolie captures the tragic glamour of Maria Callas in a masterly portrayal of the opera star
Babygirl review: Five stars for a fearless Nicole Kidman’s dive into a hot erotic mess. Bondage has seldom been as playful
By Tara Brady
A Real Pain review: Kieran Culkin could be on an unstoppable run to an Oscar for this touching, funny drama
Beezel review: This queasy horror set in an impressively creepy Massachusetts house is pulp as pulp should be
Nickel Boys review: You’ll never have seen anything like this daring, heartbreaking chronicle of abuse and inequality
By Tara Brady
We Live in Time review: Is there is a word for a manipulative drama that isn’t up to the task?
How to Make Millions Before Grandma Dies review: Warm, witty tear-jerker about an improbable subject
By Tara Brady
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