The Electrical Life of Louis Wain: Starry but misfiring biopic
Benedict Cumberbatch plays yet another eccentric in this portrait of a Victorian artist
The Capote Tapes: From impoverished childhood to cocaine-fuelled decline
‘I felt like his story hadn’t been told,’ Ebs Burnough says about his Truman Capote documentary
Mackenzie Crook as Worzel Gummidge: ‘A lot of things don’t add up’
The Office and Pirates of the Caribbean star was drawn to the role of the TV scarecrow
The Six Billion Dollar Man is the reboot industry’s latest offering
When is a reboot not a reboot? When it’s a new version of Frasier starring Kelsey Grammer
Christopher Robin: An exercise in existential dread. For children
Review: Sadness pervades this adaptation. What’s going on? Is there honey still for tea?
Jurassic World: Fallen Kingdom – A satisfyingly vicious movie
Review: Playful and mildly risky, it’s the second best film in the ‘Jurassic’ sequence
Forty-two films to catch in the cinema this summer
Incredibles 2, Ocean’s 8, Jurassic World and Mamma Mia!: Here We Go Again
Bafta TV awards: Graham Norton and Brian F O’Byrne among winners
Molly Windsor beats Claire Foy to take leading actress while Sue Perkins highlights pay gap issue
Eurovision 2018, The Bridge and Patrick Melrose: the weekend’s best TV
For more of nature’s charms, tune in to A Wild Irish Year and a Chelsea Flower Show A-Z
Journey’s End: A serious version of ‘Blackadder Goes Forth’
Review: Long camera takes give a sense of the claustrophobia of life in the trenches
Six of the best films to see at the cinema this weekend
Julia Roberts and Owen Wilson wow in Wonder and James Franco hits gold in The Disaster Artist
Happy End review: Michael Haneke's nightmares about the future come true
Michael Haneke’s latest movie never quite gets started
A date from hell in this psychosexual thriller
Kaleidoscope review: Rupert Jones directs his brother Toby in this pleasingly discombobulating thriller
Atomic Blonde: embarrassingly clunky 1980s period detail
They stopped short of having Boy George run Charlize over with a Sinclair C5
Cannes Film Festival begins amid heavy security
Show goes on as Michael Haneke tipped for third Palme D’Or, for ‘Happy End’
April Fool’s Day: The best of the day’s ‘fake news’
The Luas through Trinity, Trump’s 5-star Liberty Hall and a campaign against seagulls
Television: Faces of a modern-day Exodus
Hassan, a teacher from Syria, pays €2,000 for a dinghy crossing from Turkey to Greece
Dad’s Army review: perpetrating a bit of a phoney war
When the film sticks to old jokes, it serves some purpose. But too often we’re stuck in tea shops on dates with Catherine Zeta-Jones
Campbell surprises with leading actress Bafta win
‘Sherlock’ wins gong but Cumberbatch misses out again
Peter Strickland: “Anything to do with sex can fall on its face. All of us were cautious”
Peter Strickland's latest, ‘The Duke of Burgundy’, is a tale of sado-masochism and romance featuring no men and plenty of humour. “I want people to laugh, but not at the characters,” he tells Donald Clarke
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