Last Night in Soho: New horror ends in uncertain, muddy territory

Review: Edgar Wright’s time-travel diversion explores the seedier side of the 1960s

Doctor in Venice: Matt Smith from Tardis to 60s Soho

Set in London in the 60s, Edgar Wright’s film captures the seediness and grim glamour

Pulling with My Parents: It’s sweet to see people discussing Tinder filth with their folks

Patrick Freyne: The RTÉ dating show will have Sigmund Freud weeping in hell

Nicolas Roeg: the director who took the familiar and made it strange

Few directors have made so many films that touch on the status of masterpiece

May '68: when revolution came to the Cote d'Azur

It is 50 years since the 1968 Cannes film festival was called to a halt in solidarity with protesting students – but don’t expect commemorations

Bitter Harvest review: an epic monstrosity that’s so bad it’s almost unmissable

Noble intentions may be behind the production of this privately financed Ukrainian history lesson, but that’s really no excuse

Big Eyes review: Deception painted with a skilful hand

Director Tim Burton’s new film is a terrific story based on an artistic swindle

Gold review: strong performances, convincing characterisation

Niall Heery follows up ‘Small Engine Repair’ with ‘Gold’; the sort of film you want to hug indulgently to a welcoming bosom

Video

The Art of the Steal

Michael Shannon’s got the Krypton factor

Michael Shannon is one of the most intense actors of his generation, with eye-popping turns in the likes of Bug, Take Shelter and Man of Steel, but in person, he couldn’t be more nonchalant . . . He even has a nice lie down during the interview