Once Upon a Bridge: Unchecked aggression and its regretful aftermath
Theatre review: In Sonya Kelly’s new play, commonplace hostilities can alter lives forever
Beginning review: Beautifully measured tale of love in a time of social media
Eileen Walsh and Marty Rea give exquisite performances in David Eldridge’s play
Abbey Theatre uproar: 300 actors and directors complain to Minister
National theatre’s new policy sees pay ‘fall 25%’ and overall employment ‘dry up’
The Nightingale and the Rose review: An opera that rescues Oscar Wilde from whimsy
John O’Brien’s adaptation of the writer’s short story glows with colour and surprise
The Tales of Hoffmann review: engaging, energetic, surprising
Irish National Opera’s Offenbach showcases the talents of Claudia Boyle and John Molloy
‘Asking For It’ stage review: An unsettling anatomy of rape culture
This gruelling adaptation of Louise O’Neill’s novel is alarming for good reason
Assassins review: Enjoyable dark production that occasionally struggles to keep its aim
Musical seems too haunted by JFK’s assassination to be able to properly hold its nerve
Power City directors share €3m dividend despite profit decline
Family-owned consumer and electrical goods retailer 11 stores in the Republic of Ireland
The Approach review: An intricate puzzle of a play
Mark O’Rowe’s new drama finds that people are the hardest things to solve
The statement of over 70 women supporting those who spoke out about Michael Colgan
Actors, writers, directors, producers, designers and stage managers sign statement supporting others who ended silence about abuse of power
Angela’s Ashes: The Musical – Are we ready to look back on hard times and smile?
The new musical jabs at some nerves – its vision of homelessness and hunger are not distant threats
One for the Road review: A miniature study of terror and torture
Harold Pinter’s vicious play is all about the oppressors. How can cruelty and civility sit so comfortably together?
Profits down as turnover rises at family-owned Power City
Consumer and electrical goods retailer owns 10 branches in Ireland
The Wake: Performance and design as pure poetry
This reprisal of Tom Murphy’s meticulous play is the Abbey’s best show in years
Juno and the Paycock review: The jagged charm of an interrupted song
Mark O’Rowe’s stark production treats the the play almost as a documentary and cleverly casts against type
Review | The Wolf and Peter: A super cool wolf lends some edge to the magic
Coiscéim’s new dance show takes Prokofiev’s classic into more modern territory with thrilling results
Review: The Rape of Lucretia
Irish Youth Opera has begun its mission with a slick, updated version of Britten’s opera
Review: The Price
This isn’t Arthur Miller’s finest work, but this Gate production doesn’t leave the audience short changed
Review: An Ideal Husband
The Gate’s new production of Wilde’s political play struggles to marry its competing forces
Together at last
Mark O’Rowe transforms his two-hander monologue play into an epic one-man performance for Tom Vaughan-Lawlor
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