Project Arts Centre

Theatre: There is not much of a narrative to this show, but that’s the point. The audience is kept on their toes by an animated and engaging cast

Theatre: Littered with pop culture, silly couch sex and dancing, Ultan Pringle’s script also tackles big themes

In Ciseach, the choreographer Catherine Young shows how, by following the paths of our ancestors, we can repair our relationship with the land

Theatre: Niall Henry’s absorbing play about a deep-sea diver is eerily resonant with contemporary concerns

What’s next for Project Arts Centre artistic director Cian O’Brien who is leaving to set up a production, touring and consultancy company?

Theatre: Brokentalkers are aware they occupy a rarefied zone. This encounter between Gary Keegan and Danny O’Mahony enjoyably sends up their approach

Dance: This new work by Lucia Kilger, created with Lina Andonovska and Ria Rehfuss, values coexistence over second-to-second interaction

Dance: Minseach’s unsettled structure reflects Davitt’s own hazy identity as an artist

Dublin Theatre Festival 2023: Everything is minimal in Éna Brennan’s new work for Irish National Opera

Dublin Fringe Festival 2023: Veteran Irish comic brings a packed crowd to their knees more than once

Dublin Fringe Festival 2023: Throughout the hour there is no moralising, simply a portrayal of addiction

Dublin Fringe Festival 2023: This show feels like a history of Ireland but also a heartfelt ode to a fading country

Dublin Fringe Festival 2023: Sharp, nuanced script rips along under Claire O’Reilly’s assured, quirky direction

Theatre: As the show’s facilitator asks, with chilling rhetorical resonance, would you rather ‘be a warrior in a garden or a gardener in a war?’

An exhibition of the late artist runs at the Coach House in Dublin Castle until March

Recitals, workshops and the determinedly avant garde feature in Music Current festival

Mark Rylance on his unlikely road to Hollywood stardom, and why Brits love an underdog

Theatre has been resilient, but with the Gate in trouble, the sector is on a knife edge

Dublin Fringe Festival 2021: Brokentalkers and Truscott’s fruitful collaboration feels like a direct response to #MeToo

President Michael D Higgins leads tributes to ‘an artist of total commitment’

Video: Rouzbeh Rashidi runs a society in Dublin to promote experimental films

Dublin city centre: If we want a vibrant creative life in our capital, we need to change how we support artists

Self-conscious experiments complement the exploration of transhumanism

Even amid the pandemic, the festival is about ‘new pathways, inspiration and discovery’

Activities are curbed due to Covid-19, but there’s plenty of ways to keep kids occupied

The coronavirus outbreak forced a rethink for the cutting-edge arts festival – with intriguing results

The theatre director’s new show, Leaving, is a powerful departure for the returned emigre

New to the Parish: Federico Julián González arrived from El Salvador in 1998

The key issues driving the vote for change are in lockstep with the problems facing artists

Her new work, Actress, is about a mother-daughter relationship in bohemian Dublin

NCFA says 72% of artists earn less than the minimum wage, 72% don’t have pension

The Decaste in Culture: The 'quarterisation' of our cities reached a ludicrous peak with derided Grafton Quarter

Text plays a tricky role in art – as descriptors or part of the exhibit

TV Review: Ireland’s street artists express their politics better in murals than in words

Pan Pan’s production doesn’t so much revivify Samuel Beckett’s play as submit to it

The cast of Pan Pan’s upcoming Endgame talk about Samuel Beckett’s enduring relevance

Artist Emily Aoibheann constantly feels the need to push herself into new ways of expressing her ideas

Dublin Theatre Festival: Raquel André has, to date, gathered together 245 strangers to manufacture and document the illusion of intimacy. Where will it all end?

Dublin Theatre Festival: In Marina Carr’s version of Hecuba, the scale of tragedy is made rivetingly intimate

Dublin Theatre Festival: Ray Scannell’s ambitious musical drama is performed with aplomb but lacks focus