Chief Justice to lead tours of Four Courts as part of 1922 centenary events
Donal O’Donnell launches programme to mark impact of 1922 on Irish legal system
The Party to End All Parties: There is a lot going on in one-and-a-half smallish packages
Dublin Theatre Festival review: Summoning the despair of an urban space in the time of Covid
Experience O’Connell Bridge: A Focal point for revolution and change
The Party To End All Parties is an interactive piece created against the backdrop of Covid-19
Pasolini’s Salò Redubbed review: Aims for greatness but falls significantly short
Dublin Theatre Festival: Despite the talented ensemble, neat staging and challenging concept, this production appears unconsidered
Getting Scrapefoot, an immersive Goldilocks art installation, just right
When theatre designer Owen Boss began bringing his children to work, it became a test run for a new project at The Ark
Live Collision international festival: Everything you need to know
Ditch your idea of categories and preconceptions about the live art exhibition at Project
Abbey Theatre uproar: 300 actors and directors complain to Minister
National theatre’s new policy sees pay ‘fall 25%’ and overall employment ‘dry up’
How artist Niamh McCann furnishes her D8 home
Pieces of Me: The live and work space is filled with found items and mementos
The Sin Eaters: Memories from Irish women in our vexed recent history
Anú’s latest show, which takes place in a clinical space, is impressive but not intimate
Making plans for Culture Night? Follow our guide
From wellness to weirdness and family-friendly fun, we’ve got you covered
Dublin Fringe reviews: from teenage sex to undertaker humour
The playground is a battleground in Animalia, while Looking Deadly pits a pair of small-town rival undertakers against each other
On Corporation Street review: Anu explores what it takes to rebuild shattered city
The theatre company’s latest show explores the legacy of the Manchester bombing
Visual art round-up: Sean Lynch brings Venice to Limerick
Lynch’s Venice Biennale exhibition, now on tour, is quite an achievement
A View from the Bridge review: A moderate rendering of Miller
A dutiful, illustrative staging of Arthur Miller’s 1956 drama rather than a freshly invigorating one
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