The Turning: This film is a total waste of time. Don’t even read the review
Review: I can’t even spoil the ending of this movie. There isn’t one. It’s that bad
The Irish Times Irish Theatre Awards: all this year’s nominees
After seeing more than 130 shows, the judges have made 60 nominations in 15 categories
Abbey Theatre uproar: 300 actors and directors complain to Minister
National theatre’s new policy sees pay ‘fall 25%’ and overall employment ‘dry up’
Gig of the Week: The Great Gatsby is one marvellous party
The Gate becomes Gatsby Mansion again in this fluid F Scott Fitzgerald adaptation
Finding Joy: Making a sitcom with Amy Huberman and Aisling Bea
The quips fly on and off camera during the filming of Finding Joy, RTÉ’s new comedy
Hamlet review: Ruth Negga stars in an oddly one-note interpretation
Dublin Theatre Festival: Yaël Farber hones play’s divisions into survey of allies and enemies
An unsentimental look at a Dublin that will not accommodate its own
Shelter review: History repeats itself in Cristin Kehoe’s admirably understated drama set in modern Dublin
Ruth Negga as Hamlet: Outsiders are in at the Gate theatre
Gate breaks from its painful recent past with ‘The Snapper’ and an innovative ‘Hamlet’
The Great Gatsby at the Gate: a magnificently entertaining, dizzying party
The audience joins in the decadence in the Gate Theatre’s thrillingly immersive production
Bridget and Eamon: a show with notions above the TV Midlands
Luridly kitsch design can’t cover up the lack of fresh material in this second season
Who’s Afraid of Virginia Woolf? review: Total war in a theatrical battle like no other
Audiences are likely to be lacerated in the crossfire of this explosive revival
Patrick Pearse on trial: focus on the rebel leader
Three-part TV3 series stars Tom Vaughan-Lawlor, best known for ‘Love/Hate’
DTF Review | Oedipus: A blindingly obvious fate, in a crystal clear production
The riddle in Wayne Jordan’s limpid new version of the Greek tragedy is how anyone stays blind to the truth
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