Artists come together to raise money for Ukraine
Sale at Adam’s hopes to raise €50,000 for the Irish Red Cross relief effort
How to start an Irish art collection on a budget
‘Don’t go with the intention of making money,’ says Arabella Bishop
Robert Armstrong takes a swipe at explosive landscapes
‘Squeegee Paintings’, the new exhibition by the former head of painting at NCAD, is all about what's left out
Border, boundaries and barbed wire
It’s not just Donald Trump who likes building walls. Irish artist Elaine Byrne has been exploring the worldwide phenomenon
Charged, haunted and unsettling: Paul Nugent approaches hysteria
The painter's latest, excellent work is rooted in the psychiatric history of the Pitié-Salpêtrière Hospital in Paris
Life and death, night and day: the world of Mark Swords
The artist has created a world that is more than the sum of its parts
A race against time in a macabre labyrinth
Kathlyn O’Brien speculates on identity and mortality in ‘Altered Light’, while Michael Beirne creates strange, hallucinatory visions of his own inner world in ‘Sahasrara’
Art review: unexpected views at ‘Slips and Glimpses’ and the world map reimagined
New work from Robert Armstrong, Anna Bjerger and Kathy Prendergast
Fathers and son in the frame: two Coyles and the Yeats patriarch impress
John and Gary Coyle share hints of discord; John Butler Yeats demands close viewing
In debt to Constable: Graham Crowley’s magic modern art
Artists’s response to ‘The Hay Wain’ is not nostalgia but modernity. Plus Stephen Loughman is inspired by WI postcards and Brian Fay explores time and change
Visual art: James Joyce’s box of tricks reopened
Elaine Byrne’s foray into the wordplay of Ulysses is ingenious and entertaining
Visual art round-up: Vivid displays of painterly power
Three exhibitions showcase different aspects of modern painting to great effect
Shot by firing squad for ‘cowardice and desertion’ | Visual art round-up
Chloe Dewe Mathews visited sites where first World War servicemen were executed
Gothic fantasy, headless horses and chilly vistas | Visual art round-up
Gary Coyle’s exhibition is superb, and three other Dublin shows also have plenty to explore
Tadhg McSweeney picks up where Picasso left off | Visual art round-up
McSweeney’s collaged sculptures are a delight; while an Adam’s show looks north
When Africa came to the Arsenale, and the Irish Biennale adventure
Venice’s first African-born curator, Okwui Enwezor, is on a mission to clean up the spiritual home of the art world and remind us of its social and political responsibilities
Visual Art round-up: Worlds on the brink and cosmic explorations
Exhibitions by Clare Langan and Diana Copperwhite succeed, while a group show in Carlow is less certain
Mick O’Dea redraws Irish history
Books about the work of O’Dea and Robert Armstrong are, respectively, provocative and sumptuous
Niamh O’Malley’s films draw us in close
The artist’s exhibition is a tactful, tentative intrusion into the Douglas Hyde Gallery’s brutalist fabric
Ghosts of the Civil War brought back to vivid life
Visual Art: The third in Mick O’Dea’s trilogy on a seminal era of Ireland’s history is perceptive
Peter Gallo’s intensely personal art of chicken bones and ‘skin’
Visual Arts: Gallo sets out to offer an alternative way of looking at art history
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