I Fall Down, at Dublin Theatre Festival, is joyful, considered and very funny
Dublin Theatre Festival 2025: Gina Moxley’s ‘restoration comedy’ frankly contemplates women’s erasure in the official history of art
Gina Moxley
Theatre for One: Made in Cork review – One actor, one audience member and a life unravelling
Cork Midsummer Festival 2025: In a tiny peep-show-style booth, in a five-minute play, a character opens the mess of their private life to you
‘I think the Abbey knew I might do something a little bit queer with this Quare Fellow’
Tom Creed’s new production of Brendan Behan’s play – the first at the theatre for almost 40 years – features a cast of all female and nonbinary actors
Kilkenny Arts Festival mixes risk and safe-bets in search of magical chance
From Rough Magic’s Tonic to Mozart’s Requiem, the festival starts August 6th
Twelve artists elected to Aosdána
Association honours new members in artforms such as writing, drama, dance and film
Pasolini’s Salò Redubbed review: Aims for greatness but falls significantly short
Dublin Theatre Festival: Despite the talented ensemble, neat staging and challenging concept, this production appears unconsidered
Rough Magic theatre, 35 years on: ‘Dublin in those days was so bohemian’
Company reflects on decades of casting spells and pushing the envelope with its productions
Cotton Fingers has its Irish debut: ‘Here is a young woman and her circumstances’
Amy Molloy stars in the Welsh play about an unwanted pregnancy in Northern Ireland
Fear and apathy at the end of the world
Dance cast moved to Arctic cabin to experience heightened sense of isolation
Theatre in 2018: Looking back in anger and learning lessons
Year in Culture Review: Feelings of rage, injustice, grief and – hopefully – healing pervaded theatre
The Patient Gloria review: Revisiting therapy as an exorcising scream
Dublin Theatre Festival: Gina Moxley restages Gloria Szymanski’s 1965 interviews with three therapists
Theatre of the week: Misogynistic therapy, and a neglected Sean O’Casey play
Two new productions at this year’s Dublin Theatre Festival re-examine old art works
Who is Dublin for? Who do we want to share it with?
Dublin Theatre Festival director Willie White on Arts Council rows and Ireland’s cultural deficits
Women don’t write national plays? ‘Well they can, and they do’
In 2018, a diversity of Irish women’s voices will take their place on the national stage
Crosswords & Puzzles
Crosswords & puzzles to keep you challenged and entertained
Stardust
Inquests into the nightclub fire that led to the deaths of 48 people
Common Ground
How does a post-Brexit world shape the identity and relationship of these islands
Family NoticesOpens in new window
Weddings, Births, Deaths and other family notices