Is culture’s digital phase starting to fade or will online events continue?
For Cian O’Brien, director of Project Arts Centre, the past year has provided room to rethink approaches and reimagine spaces, though livestreaming has had its challenges
A Very Old Man with Enormous Wings review: A children’s story for a sceptical age
Dublin Fringe Festival: The charmingly offbeat adaptation of Gabriel García Márquez brings magic realism to all ages
They Called Her Vivaldi review: A rich and charming symphony
Theatre Lovett have created a delightful comedy about loss and self-reliance
The best theatre shows: The Red Shoes opens at the Gate
Theatre Lovett ’s ‘They Called Her Vivaldi’ is at the Peacock and and a new play ‘Philip St John’ opens
Your guide to going out and staying in this week
They Called Her Vivaldi show comes to Peacock Theatre and RTÉ Contempo Quartet kicks off tour in Kilkenny
Nowhere Fast: RTÉ’s new midlands comedy gets dark fast
Nowhere Fast stars Alison Spittle as Angela, a young woman in a downward spiral
From Kafka to Walsh: This week’s theatre highlights
Imaginative new spins on old concerns take the stages this week
Melt review: A play that goes to the end of the world
There’s no other play quite like Rough Magic’s Melt right now
The Seagull review: Chekhov feels at home in Ireland
In Corn Exchange’s witty and absorbing new version, set in contemporary Ireland, the feathers fly again
Blood, sweat and breasts: Derbhle Crotty’s bold approach to acting
From her irreverent early work to ‘volunteering her breasts’ for DruidShakespeare and on to her fresh take on O’Casey’s Juno, Crotty has never been one for convention
Review – You Never Can Tell: Excuses are hard to make for Shaw’s problematic play
The troubling aspects of Bernard Shaw’s dusty play are here hammered at with forced jollity – the result is not weightless fun
La Reine Claude, a collaborative play by some of our finest writers
The full script for The Arc, a project devised by The Irish Times and Dublin Theatre Festival
The Arc, part VIII: La Reine Claude builds towards its conclusion
The action takes a violent turn in the hands of Brokentalkers
The Arc: the latest installment in our theatre project, and how to buy tickets
Tickets are now on sale for a rehearsed reading of our collaborative play, featuring contributions from Tom Murphy, Enda Walsh, Sonya Kelly and many more
The Arc, part III: La Reine Claude
Tom Murphy started it; Enda Walsh wouldn’t let it go; and now Deirdre Kinahan is exploring the bad blood and intrigue of La Reine Claude
The Arc, part two: La Reine Claude
Tom Murphy began our collaborative play for the Dublin Theatre Festival; here, Enda Walsh gives the plot a surreal twist
Puppets, booze and swine flu: Irish fringe activities in Edinburgh
Puppet theatre, a one-woman show and self-penned works: meet some of the Irish gearing up for the Fringe
Stage Struck: Frankly, my dear, you gotta make ’em give a damn
There’s a fine line between compassion and comedy in theatre. Is there a formula for empathy?
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