The year in theatre: At last, Ireland has lost its fear of new writing for the stage
We may be optimistic about a place that’s far more hospitable, where new writing could be the norm, not the exception
We may be optimistic about a place that’s far more hospitable, where new writing could be the norm, not the exception
Dublin Theatre Festival 2025: Gavin Kostick’s play is Fishamble’s first for young audiences
Dublin Theatre Festival 2025: Kata Wéber’s play for Poland’s TR Warszawa company features a magnificent cast
Dublin Theatre Festival 2025 review: Ciara Elizabeth Smyth’s honed adaptation shifts towards surreal comedy
Dublin Theatre Festival 2025 review: This Ukrainian take on Camus’s play is a compelling political statement rather than convincing drama
Dublin Theatre Festival 2025: Michael Patrick is stunning as he chronicles his motor neuron disease
Dublin Theatre Festival 2025: Conor Mitchell and Belfast Ensemble dramatise the life of John Saul
Dublin Theatre Festival 2025: Mallika Taneja’s play is a biting satire on a mindset that situates family and societal honour in women
Dublin Theatre Festival 2025: The gifted Carys D Coburn reworks The House of Bernarda Alba in grim 1980s Ireland
Dublin Theatre Festival 2025 review: The Maker’s imagination and immediacy will appeal to very young viewers, its philosophical riddles to older children
Dublin Theatre Festival 2025 review: production is more like a meditation on tender ecosystem of connection than an adaptation
Dublin Theatre Festival 2025 review: Dead Centre turn Ilya Kaminsky’s poetry into complex, layered, hallucinatory drama
Dublin Theatre Festival 2025 review: Shane O’Reilly’s play confronts the ethics of cochlear-implant surgery for a deaf child
Dublin Theatre Festival 2025 review: This inventive play asks what happens after The Seagull’s gunshot
Dublin Theatre Festival 2025: Katriona O’Sullivan’s memoir becomes a crowd-pleasing play starring Aisling O’Mara and Hollie Lawlor
Dublin Theatre Festival 2025: Second part of Marina Carr’s reworking of Sophocles’ Theban plays has plenty of lamentation but not enough Carr
Dublin Theatre Festival 2025: Version of the Oedipal myth distinguishes itself with unique Irish sense of fatalism and wit
Dublin Theatre Festival 2025 review: John Breen and Mikel Murfi set out to reclaim the short story that became John Ford’s John Hinde vision of Ireland
Dublin Theatre Festival 2025: Madeleine Potter and Eric Sirakian shine in Adam Rapp’s Tony-nominated story
Dublin Theatre Festival 2025: Gina Moxley’s ‘restoration comedy’ frankly contemplates women’s erasure in the official history of art
Dublin Theatre Festival 2025: Coburn’s prowess is in addressing the space between what we say and what we know
Dublin Theatre Festival 2025 review: Teatro La Plaza’s questioning production is performed by a cast with Down syndrome
Dublin Theatre Festival 2025: Her Father’s Voice, Shane O’Reilly’s new play, tackles cochlear implants and attitudes to the deaf community
One of French theatre’s greatest risk-takers is bringing her play Whitewashing to Dublin Theatre Festival 2025
The Derry Girls star on life after the Channel 4 hit; her marriage to Hector Barbour, aka DJ Denis Sulta; and how dyslexia has shaped her
Chela De Ferrari is bringing a new vision of Shakespeare’s play to Dublin
September 20th-26th, 2025: The best movies, music, art and more coming your way this week
Poor is about to open at the Gate. Its author and playwright Sonya Kelly talk about adapting O’Sullivan’s bestselling memoir for the theatre
Dublin Theatre Festival 2025: The writer and director on their new production, a retelling of Sophocles’ Theban plays
The trans artist Pea Dinneen’s Dublin Fringe Festival debut, an autobiographical show about gender, is also a reclamation of cultural space
‘We were chancing our arm,’ Garry Hynes says of the company that brought superlative, expansive, intimate, skilled theatre to Galway and then the world stage
Festival acquired letter playwright wrote to friend in 1958 to apologise for feeling compelled to cancel planned run of Act without Words I
Presentation in Galway this summer will feature Riders to the Sea and Macbeth
New slate will also feature Marina Carr’s The Boy, and work from Barbara Bergin
The future of Irish theatre looks bleak. It’s time to overhaul the way the sector works – including where the money goes, says Rough Magic’s artistic director
From Brigit and Dublin Lunar New Year to Culture Night, Space Week and Cork Jazz Festival, here’s our round-up of cultural showcases to catch this year
Martin Beanz Warde is a writer, actor, comedian and TV presenter. He is part of the cast of The Borrowers at Dublin’s Gate Theatre
Reijn’s wild ride of a movie stars Nicole Kidman, in a wickedly funny turn, as a chief executive embroiled in a sexual power struggle with an underling
Former head of Dublin Fringe Festival will take over from Willie White as artistic director and chief executive in February 2025
More and more people are opting to switch professions in midlife. We talk to three people who have taken the plunge
Dublin Theatre Festival 2024: Camiel Corneille weaves together sound and movement as he builds physical characters and imaginary worlds
Dublin Theatre Festival 2024: Ross Dungan’s darkly comic play blends live illustration and multimedia with the theatrical to explore the disturbing world of content moderation
Dublin Theatre Festival 2024: Outlandish Theatre’s nine performers explore what happens when desire rubs up against an unpleasant reality
Dublin Theatre Festival 2024: Annabelle Comyn’s evocative production, featuring Fergal McElherron and Elaine O’Dwyer, makes clever, convincing choices
Dublin Theatre Festival 2024: In this unclassifiable performance piece, Benji Reid creates a seductive amalgam of theatre, choreography and photography
Dublin Theatre Festival 2024: Georgina Miller’s account of her recent life mixes daredevil adrenaline with humour and a lightness of touch
Dublin Theatre Festival 2024: Kate Gilmore is impressive as a vulnerable young woman, but parts of the staging overwhelm her character
Dublin Theatre Festival 2024: Manuel Zschunke is particularly compelling as the paranoid king Leontes in an uneven reimagining of The Winter’s Tale
Dublin Theatre Festival 2024: In Amy Kidd’s play, actors of different genders, races, backgrounds and accents portray the same unhappy couple
Dublin Theatre Festival 2024: This nomadic play’s use of other productions’ sets mirrors the insecure tenures so many young people are forced to put up with
Dublin Theatre Festival 2024: David Horan’s family drama dives head first into the topic of autism
Dublin Theatre Festival 2024: Ray Yeates, Fionnuala Gygax and Donna Anita Nikolaisen star in the final part of a trilogy that began with In High Germany
Dublin Theatre Festival 2024: Caitlin Magnall-Kearns’s play reminds us that we don’t know what’s going on behind closed doors
Dublin Theatre Festival 2024: The Dutch choreographer Cherish Menzo’s eventful piece has a frightening otherworldliness
Crosswords & puzzles to keep you challenged and entertained
Inquests into the nightclub fire that led to the deaths of 48 people
How does a post-Brexit world shape the identity and relationship of these islands
Weddings, Births, Deaths and other family notices