Michael Magee: What made me the writer I am today? Watching The Wizard of Oz at age four or five
‘Something shifted on that warm summer’s night in 1996, when the film ended and I found myself waking as if from a dream’
David Lynch
Yellowjackets review: Melanie Lynskey and Christina Ricci give strong performances in show packed with 1990s nostalgia
Television: Yellowjackets’ debt to Twin Peaks is cheerfully blatant. This is a gripping portrait of how the past shapes us
The numbers game: ministers, junior ministers and technical groups as the next government beds in
Inside Politics podcast with Hugh Linehan
Trump is like the boy who got everything he wished for. What will he do with it?
The billionaire businessman has managed to connect with millions of ordinary Americans in a way the Democrats cannot
David Lynch obituary: A visionary film-maker whose unnerving perspective extended far beyond the movie screen
Lynch, a painter turned avant-garde film-maker, employed the ordinary as a shield against the irrational
David Lynch’s Twin Peaks was a masterpiece. He forced us to look at the world in horrifying new ways
Twin Peaks was one of the first dramas to demonstrate that TV could be an art form. Shows such as The Sopranos and Mad Men owe it everything
David Lynch: the surrealist who combined depravity with wholesome iconography of small-town USA
Death of film-maker David Lynch: With Twin Peaks and Wild at Heart it seemed, for a brief magic moment, as if Lynch’s version of the avant-garde could really sit at the centre of mainstream culture. It was not to be
David Lynch, Twin Peaks and Mulholland Drive director, dies aged 78
Maverick film director made a series of cult classics, including Blue Velvet and Wild at Heart
Chrystabell & David Lynch: Cellophane Memories review – A vague, languorous soundtrack of morose, samey ballads
These variations on the same theme are perfectly nice as background music
Johnny Jewel: ‘The first David Lynch film I saw was Elephant Man. I cried for over a week’
Before performing in Dublin, the producer, musician and artist Johnny Jewel explains why The Weeknd is a fine actor, outlines his ‘visual approach’ to making music and debunks myths surrounding the Chromatics album that never happened
Making great films, like being US president, is an old person’s game
Donald Clarke: This year’s Cannes is discrediting Tarantino’s youth theory as Loach, Kaurismäki, Breillat and Scorsese take plaudits
The vinyl revival holds the prospect of an unappealing future
Hugh Linehan: Premium physical products may survive the digital tsunami, but at what cost?
Best movie of all time: The world’s critics crown a new winner
Sight and Sound’s influential list of the 100 greatest films of all time is voted on by more than 1,600 professionals around the world
Sissy Spacek: ‘Weinstein did some unsavoury things. He could never look at me after that’
The star of Carrie, Badlands and Coal Miner’s Daughter on her decades-long career
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