The Unbearable Weight of Massive Talent: Sharon Horgan is funny, Nic Cage is himself
Review: Cage plays a version of himself, similar to his Wild at Heart character
Jamie Lee Curtis: ‘There was a time when my biggest roles were to do with my sexuality’
‘Once they parodied me on Saturday Night Live! Now I get a lifetime-achievement award’
Film-maker Jim Cummings: The Hollywood that built Harvey Weinstein is still there
Cummings’s breakthrough style he calls ‘backyard Pixar’ is shaking up the film industry
Directing Halloween Kills: ‘It’s not just a fan-service type of movie’
David Gordon Green on taking up the blood-soaked baton of the slasher film franchise
Son: Gothic parental horrors in the American south
Irish director Ivan Kavanagh anchors his ambiguous horror in believable trauma
Jake Gyllenhaal never better in moving Boston marathon drama
Stronger review: The true story of a victim of the Boston Marathon bombing avoids the clichés of the genre
Zoe Kazan: ‘Look at the numbers. It’s getting worse for women’
Zoe Kazan is evolving from writer to actor and is hoping to subvert rom-com stereotypes with ‘The Big Sick’
Our Brand is Crisis review: Just about makes a drama out of a crisis
A constellation of likeable actors is on the case - including Sandra Bullock and Billy Bob Thornton - but the dramedy just doesn’t quite come together as it should
Highs and lows: David Gordon Green walks a fine line
The award-winning director is best known for stoner hits Pineapple Express and Your Highness, but he also does a fine line in quality – and is always eager to sort out the stoner farce from the high art
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