Dead in Here at Dublin Fringe: Gen Z dread looms in admirably sly work
A group of friends escape to a country estate and try to party like it’s 2019
Daddy Issues at Dublin Fringe: Women carry clones of Collins and Lincoln in clever comedy
Dublin Fringe Festival 2026: Even the slapstick has a point to it in Brigid Leahy’s high-concept play
The Act of Existing at Dublin Fringe: Who dances first, Ben or Bobbi? The audience decides
Dublin Fringe Festival 2026: Crowd has the power to be merciful in this interactive dance theatre
Diversity Training at Dublin Fringe has legs as an idea but the execution is undercooked
Dublin Fringe Festival 2026: Show’s most interesting moments are interactions with the audience
Thérèse at Dublin Fringe: A frictionless tale of Dublin’s declining estates in the 1980s
Dublin Fringe Festival 2026: Portrait of worried mothers is overly neat, like a conversation where no one disagrees
Chronically Hopeful at Dublin Fringe: Exploration of long-term illness that feels reductive
Dublin Fringe Festival 2026: Theatre and music production is inventive but often lacks nuance
Soak: The Perfect Man at Dublin Fringe is a sharply comic take on fathers and eldest sons
Dublin Fringe Festival 2026: Samuel Yakura says something serious while being one of Irish theatre’s great goofballs
Judy: End of the Rainbow review – Anna-Jane Casey’s voice soars as it conveys a heart almost ritually broken
Theatre: The performer is compelling as Judy Garland, whose final years are the focus of Peter Quilter’s play
Mirandolina review: Marina Carr updates 18th-century comedy as feminist tragedy with keen moral purpose
Theatre: This take on La Locandiera, set mainly in a Dublin Italian restaurant, emphasises the universality of its central themes of misogyny and intimate violence
Mean Girls review: Fast-paced stage show makes a convincing case that it’s better than the film
Tina Fey’s high-school musical features heightened impulses, fluctuating hormones and the recalibration of friendships as teenagers try to figure out who they are
Tír an Traonaigh review: As the sun breaks through the clouds, there are tears in the audience
This elegiac play takes us across the Mullet peninsula to experience a disappearing part of our lives
Ballet de Santiago – Swan Lake review: The most beguiling swan Dublin has seen in years
Katherine Rodríguez’s heart-melting performance reflects the way South American dancers tell a story through their emotions as much as through steps
YOU MAY ALSO LIKE...
Crosswords & Puzzles
Crosswords & puzzles to keep you challenged and entertained
The GlossOpens in new window
Read the digital edition of The Gloss magazine now
Gloss Interiors Opens in new window
Stay ahead of the trend with the Spring edition
Family NoticesOpens in new window
Weddings, Births, Deaths and other family notices




























