John and Yokoâs One to One gig: âThis was his only full-length concert after leaving The Beatles. Itâs of huge significanceâ
Kevin Macdonald on his new film, based around the benefit event Lennon and Ono performed at in New York in 1972
La Cocina review: A kitchen drama that makes The Bear feel like listening to Enya in a garden centre
Alonso Ruizpalaciosâs thrilling, sprawling drama is seldom less than operatic, with an emotional register to match
Misericordia review: We know whodunit in this Hitchcockian murder-comedy. But whatâs everyone else up to?
This heavily decorated French film offers a heady and murky marriage of enigmatic motivations, sexual and otherwise
Novocaine star Amber Midthunder: âI have been so fortunate to work with actors like Liam Neeson. I nerd out with myselfâ
Playing a romantic role in a Hollywood movie may not be as exhilarating as killing a Predator in Prey, but it is, she says, a significant step forward
Four new films to see this week
Rachel Zegler the best thing in misfire updating of Snow White. Plus an Oscar-winning Latvian animation, a compelling Chinese domestic drama, and Robert De Niro in a superfluous sub-Goodfellas mob tale
Snow White review: Live-action reimagining of the classic 1937 film is a muddled mess
Most distracting flaws are rooted in problematic re-creation of animated material in âlive actionâ cinema
The Alto Knights review: Robert De Niroâs gimmicky mobster double act is an unnecessary distraction
Thereâs so much mobsplaining in Barry Levinsonâs messy Mafia movie it feels like a Wikipedia entry
Away: After all those cheap and nasty childrenâs movies, hereâs a gem
Film review: Gints Zilbalodis made this gorgeous feature-length animation entirely by himself
Four new films to see this week: Black Bag, Sister Midnight, Opus, The Electric State
Steven Sodergerghâs starry espionage caper is sleek and stylish. Plus an inventive Indian caper, an oddball popstar horror, and a blandly expensive sci-fi bust on Netflix
Oscar winner Gints Zilbalodis: âItâs really cool that we can make these films with free softwareâ
Flow, which the self-taught director made for $3.5m, beat Pixar and DreamWorks to take the Academy Award for best animated feature
The Electric State: Netflix gives the Russos $320m and this is all they have to show for it?
The brothers try to deliver some Spielberg-style wide-eyed magic but serve up a sorry action flick
Opus: John Malkovichâs bopping saves this inventive but frustrating horror film
Ayo Edebiri is a notebook-clutching Nancy Drew in this exploration of cult celebrity
Sister Midnight director Karan Kandhari: âI donât know how, but we snuck this film through the British systemâ
An extravagantly original fable about marriage, bad housekeeping and some kind of vampirism
Plankton: The Movie review â Who knew marital discord could be so much fun for all ages?
There are many things to love about the latest in a series of character-driven SpongeBob spin-off films
Ernest Cole: Lost and Found â Moving portrait of an exiled apartheid photographer
This documentary relocates its subject at the nexus of ANC truth-and-reconciliation hearings, Jim Crow laws and New York street life