Review: The favourite for best picture Oscar is a happy rom-com starring a B-movie creature

Veteran character actor Richard Jenkins (70), who shared the screen with Newman and Pacino, is finally ready for the limelight

Netflix has its first nod, Cinematography has its first woman, ‘Three Billboards’ could struggle

Saoirse Ronan and Daniel Day-Lewis, Martin McDonagh’s ‘Three Billboards’ and Kilkenny’s Cartoon Saloon nominated

The ‘Lady Bird’ star faces tough competition in this year’s best female actor category

Maudie, Handsome Devil, Cardboard Gangsters, Three Billboards, The Farthest dominate

Analysis: The Golden Globes over, thoughts turn to the most open Oscar race in decades

It’s shaping up to be a big night for Saoirse Ronan and the #MeToo movement

Playwright and film maker on his new ‘feminist’ movie Three Billboards Outside Ebbing, Missouri

Dunkirk blows away the competition

‘The Breadwinner’, by Kilkenny’s Cartoon Saloon, nominated for best animated feature

Kathryn Bigelow gets controversial in ‘Detroit’. Domhnall Gleeson looks cool in ‘American Made’

Maudie review: Aisling Walsh delivers a sad film about poor people, but it could scarcely be more open to benevolence and quiet humanism

Hawke was a posterboy for generation X actors. But after seeing first hand where his precocious talent could lead, he's become a thoughtful veteran of the Hollywood machine

Collaboration with Schlöndorff in running for Golden Bear at Berlin Film Festival

Richie Smyth’s film depicts the Irish soldiers who fought in UN’s 1961 Congo intervention

Tara Brady talks to the English actor about going from lord of the manor to friend of the bear

Fanboys everywhere rejoiced when Gareth Edwards, director of the indie hit Monsters, was named as the man to reboot Godzilla. His mum, however, was a little less excited . . .

Director describes as ‘ludicrous’ accusations that he molested adopted daughter

Judi Dench nominated for for her role in Philomena

Woody Allen descends to his version of slumming, with toxically witty results, writes Donald Clarke

Cate Blanchett's latest performance in Woody Allen’s ’Blue Jasmine’ – as a vodka-and-Xanax-swilling woman on the brink of breaking point – must have been quite a stretch for the immaculately casual mother-of-three