Deerskin: Jean Dujardin excels as a man in love with his jacket
Review: Clothes maketh the man in this perplexing and darkly funny film
‘I became a cop watcher. I was filming every time there was confrontation’
Ladj Ly’s Les Misérables marks documentary maker’s big league arrival
Portrait of a Lady on Fire: A ravishing historical romance
Review: The film touches on 18th century abortion, drug-taking and all-girl parties
Céline Sciamma: I wanted to make something that breaks your heart. That’s a spoiler
Maker of Tomboy and Girlhood on being a woman in cinema and her ‘heartbreaking’ new film
‘The movie industry’s acceptance of Roman Polanski must end’
Europe has always tolerated the sex offender, up for four major awards this weekend
Cannes 2019: Who will win the Palme d’Or?
Cannes diary: Tarantino gets an early lead in the dog days of this year’s festival
Cannes 2019: Banderas kills Banderas, Tarantino makes a spoiler plea, Maradona does a no-show
Cannes diary: Polanski’s latest film screens in secret; plus reviews of Portrait of a Lady on Fire and Young Ahmed
‘When the epidemic started I realised that we needed to be considered by society’
In his award-winning new film ‘120 BPM’, Robin Campillo pays tribute to the lives and the sacrifices of those behind the 1980s Aids activism group ACT UP
120 BPM: Flawed but worthwhile saga of the French Aids years
Robin Campillo’s film is at its best when at its most intimate
Cannes review: The Unknown Woman. A bit of a dud from the Dardennes
Jessica Fletcher had more angles to her personality than the protagonist of this passionless affair
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