In Extremis review: Intriguing footnote from Oscar Wilde’s final days of freedom
Neil Bartlett’s play imagines Wilde’s meeting, just before his trial, with the society palmist Mrs Robinson
A Misanthrope: knockout satire of a horny and insincere Silicon Docks
Theatre: Molière comedy reimagined in a Dublin of agonised Millennial love
Riders to the Sea and Macbeth: A magnificent horror unbalancing nature
Theatre: Druid’s Galway International Arts Festival double bill
Wreckquiem review: Pat Shortt is well capable of an audience-pleasing expletive in an adroit performance
Mike Finn’s ambling play, set in a Limerick record shop, makes the case for art as the wrecking ball looms
The Black Wolfe Tone review: A heavy-on-the-pedal psychodrama
Kwaku Fortune, in his stage-writing debut, plays a frustrated young man admitted to a psychiatric institution
On the fifth anniversary of George Floyd’s death, why is Irish theatre still so white?
Despite calls for cultural change, black representation on the Irish stage is still years behind, but there are signs of improvement
Lovesong review: An up-and-down marriage that goes to the very end
Theatre: The excellently paired Zara Devlin and Naoise Dunbar star in the Gate production of Abi Morgan’s absorbing play
Jigsaw review: A play so up close we hear the voice in its character’s head
Theatre: Lee Coffey’s new drama has the pieces to become a whirling Dublin tale fuelled by thrills and suspense
Making History Friel review: Everyman production throws a lot at Brian Friel’s clunky play
The drama’s radical idea is to locate disorganised rebel leaders in a drawingroom comedy, but it’s soon derailed by a insistent focus on the nature of remembering
Little One review: A thriller so slippery that it has one up on its creators
Theatre: Dan Monaghan and Hannah Brady play siblings with a traumatic past in Hannah Moscovitch’s play
Cock review: Relationship farce nudges out old-fashioned ideas
Theatre: Mike Bartlett’s play, like its title, is as mischievous as it is creatively ambiguous
What Ireland could learn from Canada about how to enhance its cities
Dublin still has no replacement for the demolished Tivoli Theatre. Vancouver can show it a way forward
Milk: Spectacle is tinged with tragedy in the Abbey’s Palestinian dance play
Bashar Murkus and Khashabi use the tools of contemporary theatre to portray despair in new ways
Game of Thrones actor Conleth Hill: ‘I was resistant for a long time. I’m not into wizards’
The `Shakespearean' HBO fantasy brought the Northern actor to a wider audience, and he's not complaining
Men’s Business review: Avant-garde date night pregnant with commitment issues
Theatre: Rex Ryan and Lauren Farrell star in Glass Mask’s world premiere of Simon Stephens’s new play