Pieces of a Woman, at Dublin Theatre Festival: Knockout performances anchor old-school melodrama
Dublin Theatre Festival 2025: Kata Wéber’s play for Poland’s TR Warszawa company features a magnificent cast
Three Sisters at Dublin Theatre Festival: Saoirse-Monica Jackson gives a sharp turn in a fresh take on Chekhov
Dublin Theatre Festival 2025 review: Ciara Elizabeth Smyth’s honed adaptation shifts towards surreal comedy
The Quiet Man, at Dublin Theatre Festival, gets bogged down as it tries some reverse Paddywhackery
Dublin Theatre Festival 2025 review: John Breen and Mikel Murfi set out to reclaim the short story that became John Ford’s John Hinde vision of Ireland
Rébecca Chaillon: ‘Black women in theatre, I don’t see them. Maybe they are cleaning the toilets’
One of French theatre’s greatest risk-takers is bringing her play Whitewashing to Dublin Theatre Festival 2025
Queens of Comedy: Feral Wellness, at Dublin Fringe: Coping mechanisms reconfigured as stand-up jokes
Dublin Fringe Festival 2025 review: Sophia Wren and Aideen McQueen’s lively comedy aims to remove the shame of chaotic behaviour
Am I the A**hole?, at Dublin Fringe, is a courtroom spoof more interested in judgment than justice
Dublin Fringe Festival 2025: Dafe Pessu Orugbo and Lisa Nally’s comedy allows the audience to watch as normal or join the jury
The Revenger’s Tragedy, at Dublin Fringe, puts a drill music spin on a 17th-century thriller
Dublin Fringe Festival 2025: Debauched, violently graphic play can feel surprisingly breezy in Kevin Keogh’s adaptation
Diary of a Dublin Drag Diva, at Dublin Fringe: Is Davina Devine unguarded at last?
Dublin Fringe Festival 2025: Unlike her peers, Davina has revealed little about who she is out of drag
Pea Dinneen: Raising Her Voice, at Dublin Fringe, is a fantastically stirring cabaret about a trans life forced on hold
Dublin Fringe Festival 2025: Dinneen’s play – much like her performance – conceals revelations where you don’t expect
FeliSpeaks tells their coming of age story in unexpected ways in Octopus Children, at Dublin Fringe
Dublin Fringe Festival 2025: Felicia Olusanya’s new work for Thisispopbaby is an incandescent verse play
Wet Mess at the Fringe: Determinedly surreal, defiantly unconventional drag
Dublin Fringe Festival 2025: The London-based gender punk is finding new ways to tell stories
In Extremis review: Intriguing footnote from Oscar Wilde’s final days of freedom
Neil Bartlett’s play imagines Wilde’s meeting, just before his trial, with the society palmist Mrs Robinson
A Misanthrope: knockout satire of a horny and insincere Silicon Docks
Theatre: Molière comedy reimagined in a Dublin of agonised Millennial love
Riders to the Sea and Macbeth: A magnificent horror unbalancing nature
Theatre: Druid’s Galway International Arts Festival double bill
Wreckquiem review: Pat Shortt is well capable of an audience-pleasing expletive in an adroit performance
Mike Finn’s ambling play, set in a Limerick record shop, makes the case for art as the wrecking ball looms